Jan. 9th, 2018

ellicler: (Picard-and-Q)
...with my usual perfect sense of ill-timing, when I have 10+ books to read for various future projects, I am instead reading The Left Hand of Darkness. I'm close to the middle now, and it's already recognisably a love-story, of the most perfect kind.

one central character thinks of the other (they are not yet close to being anything like friends, they are in a common political soup together):
"The Envoy spoke well, with moving candor and urgency. There is an innocence in him that I have found merely foreign and foolish; yet in another moment that seeming innocence reveals a discipline of knowledge and a largeness of purpose that awes me. Through him speaks a shrewd and magnanimous people, a people who have woven together into one wisdom a profound, old, terrible, and unimaginably various experience of life. But he himself is young: impatient, inexperienced. He stands higher than we stand, seeing wider, but he is himself only the height of a man."
IDK how I didn't see or remember or wasn't moved by this on my first reading of it, some years ago? maybe that was before I discovered fanfic, and with it the possibility of minds meeting?

...when I say 'love-story', I am of course being coy: what I mean is a story of a profound meeting between two minds. well, for all intents and purposes, that IS a love story, right?
'The jack is in the middle of an understanding.' (c)
'Two intelligent, amoral men attempt to communicate. With, you know, each other.' (c)
I would wonder if it's only women who are capable of putting this kind of dramatic tension into the *heart* of a text (as opposed to having such a story, however beautiful, in the perifery, and making the heart of it a single character or a larger story or an ethical issue etc.) and yet I *have* read Dostoyevsky through all my teenage years and sometimes he does this too.

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